Handel's Messiah (HWV 56) is a stunning cinematic presentation of one of the most beloved masterpieces in the world of music. Directed by John Butt and featuring The Brandenburg Consort, Choir of King's College, Cambridge and soloists Susan Gritton, Robin Blaze, Daniel Taylor and Clive Bayley, this performance is a must-see for fans of music, history and art.
The movie showcases the complete oratorio, from its powerful opening with the Overture, all the way to its resplendent finale. This film also features breathtaking performances of "For Unto Us a Child is Born," "All We Like Sheep" and "Hallelujah Chorus," as well as many other famous pieces from the Messiah. Whether you're a fan of classical music or not, there's no denying the sheer power and beauty of this timeless score.
But this movie is not only about the music itself, but also about the history behind it. George Frideric Handel composed Messiah in 1741, and it quickly became one of the most popular oratorios in the world. The piece was originally performed as a charity fundraiser in Dublin, and was later brought to London, where it was performed to critical acclaim. Audiences flocked to the theater to hear the angelic voices of the choir and the exquisite melodies of Handel's music.
The story behind the creation of Messiah is equally fascinating. Handel was struggling financially at the time, and had just come off of a string of unsuccessful operas. His reputation was in tatters, and he was considering leaving London for good. But then, he was given the libretto for Messiah. Inspired by the biblical text, he set to work composing the score in only 24 days. The result was a masterpiece, recognized even in Handel's own time as a towering achievement of music.
The performances in this movie are nothing short of spectacular. The Brandenburg Consort, known for their authentic performances of Baroque music, is joined by the Choir of King's College, Cambridge, one of the most celebrated choirs in the world. Together, they create a sound that is both grand and intimate, sweeping and nuanced. The soloists are also a highlight of the film, each bringing a unique voice and personality to their performance. Susan Gritton's soprano soars above the choir, while Robin Blaze's countertenor adds a touch of otherworldliness. Daniel Taylor's tenor is crisp and clear, and Clive Bayley's bass is commanding and rich.
The cinematography in this movie is also impressive. The camera angles and lighting capture the beauty of the performers and the music, creating a visual experience that is immersive and awe-inspiring. The editing is seamless, moving between close-ups of the soloists and wide shots of the choir without ever breaking the flow of the music.
But what truly sets this movie apart is its accessibility. Handel's Messiah has often been considered highbrow music, only appreciated by those with a deep knowledge of classical music. But this movie makes the piece accessible to all, with a clear and concise introduction to the history and context of the work. Even if you've never heard of Handel's Messiah before, you'll be able to appreciate the beauty and power of this timeless masterpiece.
In conclusion, Handel's Messiah (HWV 56) is a must-see for anyone who loves music, history, or art. With its stunning performances, rich history, and accessible presentation, this movie is a true masterpiece. Whether you're a lifelong fan of classical music, or just looking for a beautiful and moving experience, Handel's Messiah is a movie that you won't want to miss.
