In the atmospheric and thought-provoking film "Beginning," directed by Dea Kulumbegashvili, the captivating protagonist Yana, brilliantly portrayed by Ia Sukhitashvili, struggles with her identity and sense of belonging in a small Jehovah's Witness community in a remote Georgian town. Released in 2020, this internationally acclaimed drama delves into themes of repression, isolation, and personal freedom, leaving a lasting impression on its viewers.
Set in a post-industrial town surrounded by an enchanting yet desolate landscape, "Beginning" opens with a chilling scene that sets the tone for the narrative. Yana's husband, David (Rati Oneli), a Jehovah's Witness community leader, becomes the victim of a violent attack. This shocking incident unnerves Yana, who already feels alienated and disconnected from both her community and herself.
As Yana grapples with David's absence and the sense of duty that comes with her role as the wife of a religious leader, she is consumed by a profound internal struggle. Haunted by feelings of isolation and repression, she questions her beliefs and her place in the world. Her quest for identity takes center stage as she tries to navigate her desires, cultural norms, and faith in a society that smothers individualism.
Throughout the movie, Kulumbegashvili's masterful direction captures the emotional toll on Yana, using long takes and deliberate pacing to draw viewers into her austere world. The director's attention to detail permeates every frame, effectively portraying the interpersonal dynamics within the community and the often-constricting nature of religious dogma.
Yana's character development unfolds organically as she confronts her own desires and needs, facilitating an internal awakening. Sukhitashvili's performance is nothing short of extraordinary, as she brings a delicate vulnerability to her portrayal of Yana. She conveys a range of emotions, from silent suffering to bursts of defiance, with a quiet intensity that stays with the audience long after the credits roll.
The exploration of personal freedom is a central theme in "Beginning." As the story progresses, Yana's journey becomes a mirror for the societal constructs and constraints that shape her existence. In a world where autonomy is stifled, she fights against the oppressive forces that surround her, whether they are her religion, gender expectations, or societal norms. Yana's struggle for independence becomes a powerful commentary on the universal human desire for self-expression and the lengths one must go for personal fulfillment.
Kakha Kintsurashvili's cinematography further enhances the film's captivating atmosphere. The strikingly beautiful yet desolate landscapes are juxtaposed with the cold and sterile interiors of the community buildings, reflecting Yana's internal conflict. The subdued color palette and meticulous framing add an extra layer of visual richness, evoking a sense of both intimacy and isolation.
"Beginning" is not a traditional narrative-driven film. Its strength lies in its ability to provoke contemplation and challenge societal norms. Viewers are invited to question the structures and expectations that dictate our lives and ponder the price one must pay for authenticity.
In conclusion, "Beginning" is a profoundly introspective and visually arresting film that demands its audience's full attention. With remarkable performances, stunning cinematography, and a narrative that explores themes of identity, repression, and personal freedom, Dea Kulumbegashvili's debut feature establishes her as a director with a unique and poetic voice. This immersive cinematic experience will leave you questioning the boundaries of faith, the impact of societal norms, and the pursuit of personal liberation.
Beginning is a 2020 drama with a runtime of 2 hours and 6 minutes.
It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 6.6 and a MetaScore of 81.
